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(I want to emphasize that he did a good job of copy-editing. Given a manuscript containing no italics, my copy editor did the right thing: he italicised those things that needed it, per the style sheet (such as some quotations and the titles of newspapers), and nothing else. Have I explained recently why I hate Microsoft Word?
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And of course, someone ran a conversion macro or a filter or an inadvisable global search/replace, and. One of the things about the business of writing trade fiction for a traditional publisher is that authors are expected to submit a manuscript in something approximating "standard manuscript format", a hold-over from the days of typewriters and carbon paper - you use 10 point Courier monospace typeface, double-spaced, two inch margins all round, paragraphs start with a tab, two spaces after every period, and italics are indicated by underlining. This was the first time I'd worked with this particular publisher on production, and somewhere between me submitting the manuscript and them sending it off to the copy editor (who is an external freelancer), all the italics went missing. Normally this is straightforward enough (although there are horror stories about CE's trying to rewrite a novel instead of just fixing it for grammatical consistency).
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Does the author write seventeen in one place or 17 in another? (Pick one.) Is the formatting of chapter titles consistent? Do they use the serial or Oxford comma convention, or not, and if not, is it needed? (And so on.) The copy editor does the heavy legwork of changing the manuscript, and the author then gets to go over it to review and approve their work.
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A lot of this process is normalization and regularization of usage and grammar and spelling. Copy editing is the process whereby a copy editor goes through an author's manuscript and turns it into something that might, once typeset, pass inspection as a book.